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June 15thShort paper / The vanishing of remix concept in machine-driven text
- Abstract: In this paper, the process of remixing is analysed through the evolution of machine- driven text transformation approaches. Starting from semi-random early techniques for the composition of poetic or experimental literature, the process of associating and composing preestablished pieces of text, sourced from analogue and then digital repositories, will be investigated. A continuity emerges from the combinatorial experiments realised by the Ouvroir de littérature potentielle (OuLiPo) group in the 1960s to the later software that has advanced remix possibilities up to the contemporary attempts to establish an almost autonomous “automatic publisher.” The increased sophistication of the algorithms and the growth of available sources have affected the plausibility of the produced texts, including a technical analysis of style, laying the foundation for its simulation. More recent tests, using unusual or different technologies to produce texts, will be included. In the essay, I will analyse the remixes of text’s evolving structure since the early experiments in the 1960s, the role of machines in effectively emulating a writer’s style and their essential support to generate credible fakes, particularly deepfakes.
- Biography: Alessandro Ludovico is a researcher, artist and chief editor of Neural magazine since 1993. He received his Ph.D. degree in English and Media from Anglia Ruskin University in Cambridge (UK). He is Associate Professor at the Winchester School of Art, University of Southampton. He has published and edited several books, and has lectured worldwide. He also served as an advisor for the Documenta 12’s Magazine Project. He is one of the authors of the award-winning Hacking Monopolism trilogy of artworks (Google Will Eat Itself, Amazon Noir, Face to Facebook).
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